Showing posts with label Myth. Show all posts
Showing posts with label Myth. Show all posts

Monday, March 13, 2017

Mythical Monday #69 - The Myth of Samurai

Art work by: @Burntlaughter on Twitter

It seems there are many books influenced by or based on Myths and Mythological Beings.

There are many different Mythology's and Mythological Beings recorded. Some are very popular and well known, others not so much. There are many similar beings, yet different depending on the culture it’s based in.  The definition of Myth covers about anything in the Urban Fantasy/Fantasy realm to me.

I’ve invited authors to share briefly the Mythological being or Myth that influenced their character(s) or story, or what their character(s) are based on influencing their books.  Hosting here, one author and being or myth per week.


The Myth of Samurai

When Melissa came to me and asked me to contribute to mythical Mondays, I was excited. You see, I believe that the stories and myths that we read and tell ourselves have a deep impact on the way we view the world.

Today I decided to write about the samurai, the warrior class that dominated Japan’s culture and politics for hundreds of years. It may seem a strange topic for mythical Monday, being as the samurai definitely existed, but bear with me for a moment.

For as long as I can remember, I’ve been obsessed with samurai. Not ninjas, not knights, not any other type of warrior society throughout history. Just samurai.

I grew up on a steady diet of samurai pop culture, from books to anime to movies. I loved the idea of a warrior class, bound by honor and duty. I loved the weapons, particularly the katana. I loved the idea of two warriors fighting each other while others watched on, bound to accept the fate of the fight. You see, what I loved was the idea of the samurai.

I’m older now, and what I’ve realized is that the samurai have obtained a pseudo-mythical status, particularly in Western culture. What many of us think and believe when we think of samurai is no more real than vampires and werewolves battling for the hearts of teenagers.

In reality, samurai were human, and as such, were deeply flawed. They were corrupt, violent, and used their power to evil ends. They were also skilled warriors, capable of great deeds and great art. In short, they were as good or evil as anyone else. The reality of the samurai is nowhere near as inspiring as the tales we tell about them.

But I’ve also found peace with that idea, because even if the samurai, as we think of them, are a myth, they are also an ideal for us to strive for. If we can grow up to be strong, honorable people capable of great sacrifice and great art, our lives will be much the better.

It was this idea that was the seed that led to Nightblade, my debut fantasy novel. I didn’t want to write about the samurai or Japan, because I’m not an expert, and it would be an injustice for me to try. But I wanted to write about the ideals the samurai myth gives us. I wanted to create a world where there was a class of people gifted with skills beyond the average citizen, and wanted to see what such a world would look like.

I think that the power of myth is that it gives us a new way to view the world. Even if the samurai (as I thought of them) weren’t real, they shaped the way I wanted to grow up, and for that, I shall always be grateful.


About the Author:
Ryan Kirk is an author and entrepreneur based out of Minnesota. He is the author of the Nightblade series of fantasy novels and the founder of Waterstone Media.

He has been writing for longer than he can remember. His first attempts at stories were written in the third and fourth grade, but he is pretty sure he doesn’t remember anything before high school.
Ryan has always been a fan of science fiction and fantasy stories, and adventures in particular. He loves writing, traveling, and being outside as much as possible.

He also finds it incredibly challenging to write about himself in the third person.

Find the Author:
Twitter:  @Waterstonebooks
Author Site

Purchase the Books:
 

Monday, February 6, 2017

Mythical Monday #64

Art work by: @Burntlaughter on Twitter

It seems there are many books influenced by or based on Myths and Mythological Beings.

There are many different Mythology's and Mythological Beings recorded. Some are very popular and well known, others not so much. There are many similar beings, yet different depending on the culture it’s based in.  The definition of Myth covers about anything in the Urban Fantasy/Fantasy realm to me.

I’ve invited authors to share briefly the Mythological being or Myth that influenced their character(s) or story, or what their character(s) are based on influencing their books.  Hosting here, one author and being or myth per week.


Baekho – The Korean White Tiger of Myth


White Bengal tigers are a huge attraction at many zoos throughout the world, and it’s no wonder—there’s something mythical and magical about that simple lack of pigments that draws the attention of everyone who sees them. They also, understandably, permeate myths throughout their native regions.

The white Siberian tiger, however, I suppose is even more mythical because despite reported sightings, there is no evidence the gene mutation that resulted in white Bengal tigers is also seen in bigger Siberian subspecies.

The Siberian tiger was once distributed throughout much of Korea, north-eastern China, far east Russia, and (obviously) eastern Siberia. Its habitat has been drastically reduced, but the range it used to call home can be traced by the myths and folklore it appears in.

Korean myths come from various folktales and stories, influenced by religions that made their way into the region, including Buddhism, Chinese myth, Taoism. This is where some of the stories of the white tiger comes from—the White Tiger is one of the four Chinese constellations, the guardian of the west. In Korea it’s known as Baekho. The tiger features prominently in Korean mythology, and to this day is a popular image in paintings and sculptures, and can be found safeguarding royal tombs.

It’s believed that after enduring struggles in life, the tiger turns white, and becomes a sacred creature who is mostly harmless except is angered by corrupt leaders. Often it only appears when there is peace in the world, and when emperors rule fairly. It’s a symbol of courage, of power, and can drive away evil spirits.

Of course, how much of this applies to my character Dale West in the Livi Talbot series is up for debate. The reader knows what Livi knows at this point, a little bit about white tigers in mythology, and not nearly enough about West to form an opinion.

West was born and raised in a North Korean “labor camp”—a gulag, where prisoners and up to three generations of their family are kept sometimes without release and worked in many cases to death. After being raised to lie, to inform on fellow prisoners, all in the name of survival, and enduring horrific torture daily, he escaped at fifteen, made his way through China, and was eventually brought into the fold of an organization who could put to use his rather “unique” skills (and I don’t just mean his ability to turn into a tiger at will).

Is he ultimately a figure of courage who will humble corrupt leaders, or is the white pelt of the tiger he turns into merely a random result of the Pulse that activated magic four years before the start of Livi’s books?

That’s a question for Livi—and the reader—to ponder as the series continues.




Odin’s Spear Excerpt:

Though the tunnel’s height didn’t change, the ground sloped downward until we were in a large cavern and water crept up to my throat. The space abruptly widened, adding enough room for West to move to my side. Our headlamps shone over rock ahead—at least we’d be getting out of the water soon.

“You’re handling the water well,” he said.

I was. It rippled on either side of me, brushed coolly against my legs, and I still tasted the salt from when my head had been submerged.
“You were adamant about disliking it.”

I shrugged. “Maybe I really need the money.”

He didn’t call me on my bullshit, thankfully.

I continued forward but he didn’t follow. Something in his hesitation cautioned me and I froze in the water, turned slowly around.

West stood still, barely breathing. Just his pale eyes moved, tracking the dark water around us.

I ceased all movement as well. “West?” I began to step back.

“Don’t.” He bit the word out and it echoed in the cavern.

I stopped moving entirely, listened. Water dripped around us, but that was all. “If it’s another shark—”

“I don’t...” His eyes narrowed on the water, but though I tried to see where he gazed, I couldn’t determine what he stared at. “...think it’s a shark.”

I decided that was bad. Very bad. Sharks were bound to be infinitely preferable to whatever had him worried.

Then something brushed past my leg and I knew I was about to find out.

I felt the long length of it strike my calf, slither restlessly past. I counted the seconds, waiting to stop feeling it—two, three, four, five—
My eyes tracked the water’s depths but I couldn’t see the fucking thing. It flicked hard at the end, bruising flesh.

I let out a shuddering breath and stared wide-eyed at West. Given that we were just discussing what a great team we made, surely he wasn’t going to leave me to be eaten...

“When I tell you to move, go forward,” he said calmly. Too calmly. West worried me more the less emotion he showed.

“And why not backward?” I asked, tensing from head to toe.

“Shorter distance.”

“We don’t even know what the fuck is at the end of the—”

“Now.”

Shit. I rushed forward, half-swimming, kicking off with my feet on the murky ground. I kept my sights set ahead where my headlamp showed rock I could scramble onto.

Again something struck my legs.

I froze, looked back.

No West.

Oh, motherfucking—

It wove around me again, this time snaking about my leg in a circle to cinch around my thigh. It jerked me off my feet and I flew onto my side, sinking into the water. I thrashed, kicked, couldn’t even see what the fuck had me.

But I would in a moment.

I managed a quick breath in before my head was submerged completely.

I blinked through the initial sting as my eyes adjusted, struggling to see through water so I’d at least know what I fought. My headlamp broke through the darkness, catching a serpentine creature of pale gray that squeezed my thigh and dragged me under. Though I scanned swiftly, my brain couldn’t properly process the size of the thing—eight feet, ten, twelve? I didn’t know. Or care. It had me, it wasn’t letting me go, and I was weaponless down here.

And running out of air.

Holes of varying sizes along the walls were dark spots underwater, tunnels I could barely slip through, and the pale snake slithered toward one with me still in its grip. My lungs squeezed and bubbles flew from my lips.

A second figure darted in my line of vision; I had enough time to glimpse West’s very tanned, very naked body, then a knife was thrust at me, the glint of the blade sharp in the light of my headlamp. I grasped the weapon and as soon as the handle was in my grip, he changed. Muscle bunched, bones twisted, hair sprouted from skin, and the tiger emerged, leaving a massive, bladed paw where moments ago I’d seen a hand.

Buttons was out in full force now.

Tigers are scary on land but they’re fucking terrifying in the water, because every instinct says, like all cats, they should hate being wet. But tigers thrive in it and West was no different. The water did nothing to hamper him; he twisted and moved as he did on land. He pounced on the snake, claws sinking into flesh and immediately peppering the water with blood.

The sea serpent wasn’t quite ready to give up its prey, however; for a moment it tightened its grip, squeezing my leg to the point I felt bone grinding. I let out a bark of pain automatically that was swallowed by the water, losing more precious air. But the knife was still in my hand and I bent forward, slashing the blade against near-white, scaly skin.

That was enough to startle it into letting me loose. When there was enough slack in its grip, I scrambled back and away. West let it go as well and it shot through one of the tunnels, leaving a trail of dark red spotting the water in its wake.

I darted up, my face breaking the surface where I took a huge breath of air. My feet touched down and at this point the water was at my chin. I swung around, my braid whipping through the water, my hand still squeezing the knife’s handle.

A moment later, West surfaced, still in tiger form. He treaded water silently, eyes on me.

It’s hard to read much into the expression of a tiger beyond “And now you die, silly human.” But his eyes warned me, enough weight to them that I knew to listen. When he sank back in the water, I did as well, blinking to adjust to the change in my vision.

More serpentine creatures darted from the holes, lengths varying from ten to fifteen feet. One neared me, slithering with open, sightless white eyes fixed ahead. A thin ridge ran from the top of its head down its back, vaguely reminding me of an eel.

I had no desire to discover new species of sea creatures only to kill them all but I was pretty sure the fuckers wanted to make me part of their food chain, and I’m not okay with that. I slashed the knife in an arc, nicking the snake badly enough that it slithered away, circling me at a greater distance.

That’s right, motherfucker—I’ve got teeth.

West pounced on another, kicked off of it with claws bared, and swam near me. His huge, frightening maw was open, glistening teeth ready to slice through flesh. Though they couldn’t see, they somehow sensed who was the weakest link here—no one paid him any attention except to avoid his powerful paws or jaws. I was the planned meal.

And there were far too many of them.

They darted in and out, water rippling around them, tails flicking out to wind around my legs, ankles, wrists. I twisted and slashed, broke for air once before heading back down so I could at least know when I was about to be dragged under.

West’s muzzle butted my side, pushed and herded me to the right. There was no arguing with him or the forceful push for me to follow his direction. I swam, using both arms and only pausing to strike out at the sea snakes when I had to. An outcrop of rock was ahead and I surge upward, grasping the lip of it and hauling myself onto dry land.

I heaved several great breaths, got my legs out of the water, and rolled away from the edge, onto my back. The knife was still clutched in a death grip in my hand and I couldn’t’ve pried my fingers loose if I wanted to.

West leapt up onto the rock next to me, his white, striped fur soaking and showering water down in great drops. A dead serpent was in his powerful jaws and he let the corpse drop in a long, thick coiled heap.

I sat up, still panting, staring at the pile of dead sea snake like it might awaken and bite me. But West had grasped it near the head, tooth marks scored deeply in its flesh. Blood oozed out, twining with water and rolling into the pool we’d climbed out of.

The tiger stood straight and abruptly shook, twisting from the ruff of fur around his neck, down his massive body, straight to the tip of his tail. Water flew off of him, spraying me.

I turned my head, winced, and inwardly groaned. “Buttons.”

He cast a dark look at me and sat, tail twitching and still flicking water. Then fur melted into skin, his body changing into that of a crouched man, black hair dripping and a sheen of water covering his skin. Just his eyes remained the same regardless of his form, a light cold blue, though they were closed now. Again he shook, this time more of a tremble rushing through his skin than something designed to remove excess water.
I turned onto my knees. Hard rock bit into them through the wetsuit—when we came back tomorrow, I’d get my pads to help with any awkward crawling. “Does that hurt to do?”

“It’s fine,” he said, shifting just slightly and blinking his eyes open.

That wasn’t answer. I’d take it as a yes, even if he had no desire to complain about it.

I changed the subject. “Did you stash extra clothes somewhere?”

“I’ll retrieve the suit and bag in a few minutes when they’ve gone on their way.” He looked down at the coiled dead serpent. Its massive lower body and tail hung over the rocky edge into the water and he pawed at it with his large human hand, the movement distinctly cat-like.

“I thought sea snakes were all venomous.” I said, crawling over and leaning to peer down at the dead thing with a shudder.

“These seem more akin to constrictors but I’d avoid getting bit if you can.”

The nearly-white flesh had a slimy texture to it out of the water. Tiny pinpricks of dark gray dotted the center of each scale and sightless eyes stared up blankly. “I was about to ask why you brought it up here but my daughter’s cat does the same thing with his kills.” I patted the top of West’s head, plastering down his soaked black hair. “Good kitty.”

He cut me a look and swiped the snake in the water without breaking eye contact.



About the Author:
Skyla Dawn Cameron has been writing approximately forever.

Her early storytelling days were spent acting out strange horror/fairy tales with the help of her many dolls, and little has changed except that she now keeps those stories on paper. She signed her first book contract at age twenty-one for River, a unique werewolf tale, which was released to critical and reader praise alike and won her the 2007 EPPIE Award for Best Fantasy. She now has multiple series on the go to keep her busy.

Skyla is a fifth generation crazy cat lady who lives in southern Ontario, where she writes full time, works as a freelance designer, stabs people with double pointed knitting needles, is an avid gamer, and watches Buffy reruns. If she ever becomes a grownup, she wants to run her own Irish pub, as well as become world dictator.

Find the Author:
You can visit her on the web at www.skyladawncameron.com. When she’s not writing or being glared at by cats, she’s probably on Twitter. You should ping @skyladawn and tell her to get back to work. You can sign up for her newsletter at www.skyladawncameron.com/newsletter and support her work by becoming a Patron of Snark.

Buy the Books:
Links for Solomon's Seal:

Links for Odin's Spear:

Monday, September 15, 2014

Mythical Monday (60)


It seems there are many books based on or influenced by Myths and Mythological Beings.

There are so many different Mythology and Mythological Beings recorded. Some are very popular and well known, others not so much. There are many similar beings, yet different depending on the culture it’s based in.  The definition of Myth covers about anything in the Urban Fantasy/Fantasy realm to me.

I’ve invited authors to share briefly the Mythological being or Myth that influenced their character(s) or story, or what their character(s) are based on influencing their books.  Hosting here, one author and being or myth per week.


This week we have:
Author Patrick Scaffido
Talking of mythical African Zombies.


Let's talk about zombies. Not your modern movie zombie that shambles in packs, infects with bite wounds, and eats a few brains on the side; but the mythical African zombie, the creature forced back into life against its will as a slave for a twisted and insane master.

In Haitian and African myth, sorcerers control plantations and mines where the enslaved dead work to make the dark sorcerer rich. In secret, the sorcerer uses magic and poison to attack potential zombies and then claims their bodies to reanimate. These zombie masters might be witches or sorcerers, male or female, neighbors or strangers. The terror of the zombie is not just the monster itself, but the malignant being that forces that fate of zombie on someone else.

To be a zombie, you must be stolen. The sorcerer digs up your body then mutilates you to prevent rebellion and speech. Unlike the mindless flesh eaters of Hollywood film , there exists a soul in traction to the master. The victim is still there: tortured and controlled. The idea of a loved one stolen and lost features heavily in the mythology and many stories have family members searching for loved ones only to find them mute and mutilated, one of many slaves. We don't fear the zombie itself. We fear becoming the zombie or finding our loved ones transformed into the zombie. We fear what we might be forced to do when our will is no longer our own.

The zombie represents a loss of control, an enslavement more powerful than imprisonment or shackles or ownership. The zombie shambles through its life, completing tasks it cares nothing for, all to benefit a cruel master. The parallels with an unwanted 'day job' seem forms easily. The barely conscious suburban worker going through the motions of life is played for laughs in Shaun of the Dead but in the tradition of the mythological zombie, we could take the comparison so much further.

This mythical zombie inspires the antagonist Myra in the Horde, a zombie ex-girlfriend of the dark swordsman protagonist who has been turned to a zombie in order to torment the hero. To make her a more viable character, I played with some of the specifics of how zombies were created. Instead of removing her speech, I had the villain leave her the ability to form words she speaks with a harsh rasp, the result of torture at her master's hands. I loosened the control of the sorcerer a bit as well, letting her retain her memories and feelings for the hero leading to scenes where instead of merely following the sorcerer's every whim, she fights the hero due to her own mixed emotions towards him. Intended to be a mix of terrifying and sympathetic, I intend to explore more of what can be done with the master-slave relationship that makes this particular myth so emotionally resonant and frightening for me.

For the Hounds of Tartarus, my story in the Dirty Magick anthology, it began with the idea of what if a man became his own slave and was forced in every moment to follow their ambition instead of being free to make their own choices. I have a human who returns from the grave intent on revenge who repeatedly finds difficulty veering from that course that he was raised for, even as the events change around him and he starts to question his original motivations. A man without self control and reflection can make a poor master of himself, especially when his goals are ill considered. The protagonist of that story is in many ways mindless and without self control, but simply acts out his dying impulses as he walks through his second life.

There's so much as yet unused potential for inspiration with the African myth of the zombie- the relationships between zombie slaves and their masters, the attempts by loved ones to retrieve their family members from this state, what happens to a zombie freed from sorcery. As zombies continue to spread across film and television, I would love to see more stories make use of this much more resonant, emotional, threatening and tragic creature instead of the motivationless plague victim that has become the zombie du juor.

For more on the available tales of the African zombie, I suggest starting with the wikipiedia page (http://en.wikipedia.org/wiki/Zombie), where you can find out about the idea of cultural pressure turning people into zombies and the idea of the witch train staffed by zombies roaming the African railroads.


About Patrick:
I’m Patrick Scaffido. I write, play guitar, sing, and do readings.

I taught for 8 years. Then I got sick. Till I get better, I work on the artsy stuff to keep myself going. I miss helping students.

I’m wrote the novel the Horde, currently being released as a musical through podiobooks and a spoken word story through the Headcast.

I run a Youtube vlog called Morning Coffee.

I’m into philosophy, music history, semiotics, video games, literature, empowerment, nonsense, and exploration. I’m kind of a private person and always felt the easiest way to know me is through my work. If you’re curious about something, ask.

Find Patrick:
Blog:  Thousand Heads
Twitter:  @thousandheads
Facebook:  The Thousand Heads

Books By Patrick:
The Horde  - Links to listen at: http://thousandheads.wordpress.com/the-horde-and-related-works/

Dark Magick anthology

Monday, July 7, 2014

Mythical Monday (55)


It seems there are many books based on or influenced by Myths and Mythological Beings.

There are so many different Mythology and Mythological Beings recorded. Some are very popular and well known, others not so much. There are many similar beings, yet different depending on the culture it’s based in.  The definition of Myth covers about anything in the Urban Fantasy/Fantasy realm to me.

I’ve invited authors to share briefly the Mythological being or Myth that influenced their character(s) or story, or what their character(s) are based on influencing their books.  Hosting here, one author and being or myth per week.


This week we have:
Author Katharina Bordet
Talking of The Coffee Legacy.


A key part of visiting Vienna (or Wien as it is called in German and in my book, The Coffee Legacy) is going to a café to savour some of the decadent Viennese coffees and cakes. Naturally, when my husband-to-be, Mick, first came to visit me here, we went to many cafés and – due to our love of writing and coffee – we ended up spending much time in them with our laptops, feverishly writing away on story after story. Some time in fall it became time to plan for NaNoWriMo. I knew I wanted to write a book set in my hometown of Vienna, but not much more than that. It was during one of those times, as we sat in the café and I was reading through the menu, that I came across an old legend, printed on the inside.

The story differs in some details, but the gist remains the same. Once upon a time, there was a goatherd, watching his goats on the field. Suddenly he noticed that the goats started behaving strangely. They started to run around like crazy – despite the heat – and were basically, what we’d call nowadays “hyper”. He worked out that the goats had been eating berries from a shrub, so he tried them too. Soon he, too, was on a caffeine high. According to the story, that’s how coffee was discovered.

This legend got me thinking. I remembered the stories I knew of how coffee came to Vienna, about the Turkish siege of the city when they left beans behind and a famous man... Naturally, many of those legends were mere distant memories, but they had sparked an idea. With the menu in hand – one that sported many different coffee variations with interesting names – I knew that the book would grow out of the idea of legends. So my research began.

Vienna has been the source of many legends – inspired by coffee, by the Danube, by wars and plagues, and much, much more. I was still reading up on legends and fairy tales when NaNoWriMo came around. I knew my book was going to be about Vienna, coffee and legends. A mere month later – The Coffee Legacy and the world of Wiener Blut were born.

Visit Katharina's site for delicious recipes.
The story starts off with two women running a café and one of them - Isabelle - tells her son bedtime stories in the evening. Bedtime stories that are old legends, sometimes slightly changed, some close to the original and some invented ones. So the legends became part of the story as just those — legends — at first. Then Isabelle's aunt gets murdered and her family find themselves in the middle of a story that is much more than just a legend. I took the old tales, wove them in, developed from them and then went back and looked for more stories. Some got put aside, some became part of the book. In the end, I had entwined the city and its places with the coffees and the legends revolving around them into my story.

When I put the proverbial pen down, I knew this would not be the end of the story of the people in Neu Meidling and Vienna. There were so many more legends to use and weave into my story. Some became short stories in the world of Wiener Blut, and some were set aside for what was to become Danube Waves. Much like coffee, the river is the life blood of the city and it had shaped its history due to its strength. Only in the last century was the Danube tamed into the course where it currently flows and people living near it still fear its floods today.

Hundreds of years ago, when the legends around the Danube were written, people attributed the moody river more to whatever must be living within, or who must be living within, rather than any natural phenomenon. At this point, I knew the world of Wiener Blut had just grown.

Whilst I was writing Danube Waves, I was still researching legends, stories and this time also real history. So many of the old Austrian legends were rooted in historical events that I could not simply ignore them. The funny thing was, it worked even better than I had expected. Even though some of the research was done “on the go”, the legends felt as though they fitted the overall picture and even more, they sparked new ideas and surprised me at the same time.

I could not write about Vienna and ignore the legends. Even though my book is fantasy, it is also set in modern-day Vienna. None of this makes the legends worth less – on the contrary – every Viennese person can tell you a legend or two about the city. When history is so much part of the everyday life of a 21st century city, legends never quite leave you, and people might even be heard discussing details of which version of the legend might be the “proper” one.


Author Bio:
Born and bred Austrian, Katharina Bordet lives in Vienna with the Scot of her dreams. She’s a trained lawyer, passionate podcaster, all-round geek, writer and photographer.

As well as the 'Wiener Blut' series of novels and short stories (www.wiener-blut.com), she co-hosts and writes for the 'Every Photo Tells...' short story podcast (www.everyphototells.com) which features tales from many different authors around the world.

A keen photographer and amateur chef, Katharina regularly blogs about recipes, photo tours around Europe, Vienna's famous Christmas markets and similar topics at her own website (www.maimer.net).

Purchase At:


Short Stories in the Wiener Blut world:
       

Monday, May 19, 2014

Mythical Monday (50)


It seems there are many books based on or influenced by Myths and Mythological Beings.

There are so many different Mythology and Mythological Beings recorded. Some are very popular and well known, others not so much. There are many similar beings, yet different depending on the culture it’s based in.  The definition of Myth covers about anything in the Urban Fantasy/Fantasy realm to me.

I’ve invited authors to share briefly the Mythological being or Myth that influenced their character(s) or story, or what their character(s) are based on influencing their books.  Hosting here, one author and being or myth per week.


This week we have:
Urban Fantasy author 
Amanda Bonilla
Talking the Shaede and Lyhtan races.


The Mythology of the Shaede Assassin World

Thanks so much to Melissa and My World in Words and Pages for having me as a guest for Mythical Monday! When I started writing SHAEDES OF GRAY I realized that in order to fully understand the world I was building I’d need a history, an origin of the Shaede and Lyhtan races. As opposite sides of the same coin, I couldn’t justify their animosity against each other until I knew where they came from, what their history was, and what spurred their feud to begin with. Though Lyhtans don’t have much time on the page, I had to know their origins. I found the word in some on-line ancient words dictionary. Lyhtan—a verb—literally means, “to make light.” What better word to name my creatures that were so different from my shadow-loving Shaedes. And since I couldn’t find a creature in mythology that fit my vision of the Lyhtan, I made them up from scratch.

Though Shaedes and Lyhtans are technically fae creatures, I decided to make them uncommon among the fae. They are a unique species in that they are a product not only of their biology, but of magic. As the legend goes, Kreighton, high king of the Dark Fae forbade his sons from leaving the borders of his kingdom. But as young men are prone both to curiosity and disobeying their fathers, they set out to see the world beyond their kingdom. Artis, eldest son and favored by his father, fell in love with a beautiful Sylph princess, while Rannan, the more rebellious of the two, took a powerful Sidhe sorceress as his bride. When Kreighton learned of his sons’ betrayal, he flew into a rage. Using up every ounce of his magic, he marked their offspring as something other and unnatural, so that the fae would know they were creatures never meant to be. However, since the king had favored Artis before his rebellion, Kreighton took pity on him and rather than exact the harsh punishment he’d planned, he gifted Artis’s children with fae beauty and cloaked them with the protection of the shadows at night.

But Rannan’s children felt the brunt of Kreighton’s curse. They are the Lyhtans. Banished to the light to hide their grotesque forms in the light of day and forced to remain corporeal at night. Unlike Shaedes, Lyhtans are able to assume the form of a glittering beetle-like insect during the daylight hours, a small concession given by Kreighton so that Rannan’s children would know some measure of beauty. Whereas Shaedes can blend with humans, Lyhtans look more like praying mantises. They hunt like animals, feed upon their prey by injecting them with a venom that liquefies their victim’s insides for easy consumption, and they live solitary lives often in caves of high up in trees where they can remain unnoticed.

Since the Lyhtans obviously got the crappy end of the deal, their hatred and animosity toward Shaedes was easily justified. The creation myth allowed for a built-in feud. An attack on site policy that would need no other justification other than a centuries-old grudge. By interweaving their heritage, I could incorporate Lyhtans easily into the Shaede world. It also gave me the opportunity to create balance. I also wanted to offer readers an atypical representation of light and dark which is usually associated with good and evil, ugliness and beauty. In the Shaede Assassin world, the good guys don’t always wear white, don’t always have sunshine on their shoulder.

Do you prefer to read stories where the world building has been connected to historical mythology? Or do you enjoy new worlds/alternate universes with their own unique origins? What are some of your favorite fantasy worlds?

~~~~~~~~~~~~~~~
Against the Dawn
By:  Amanda Bonilla
Six months can feel like just a couple of weeks when you’ve been away in another realm. Literally.

Now that Darian is back in Seattle, she’s ready to face the life—and the man—she left behind. But it’s not going to be easy when a ghost from her past shows up looking to wreak havoc on Seattle’s supernatural crime scene.

Darian isn’t as careless as she used to be, though. She and Tyler, her sexy Jinn protector, have come a long way in the trust department. And it’s a good thing too—because when Ty contracts her to assassinate a wickedly powerful supernatural who goes by the name of Mithras, it will take all her faith in Ty, and herself, to get the job done.

While Darian does whatever it takes to get to her mark, Xander, the Shaede King is busy making plans of his own. With Darian’s attention divided between Lorik’s secrets and her mission she might not be able to stop Xander from doing anything in his power to separate Darian from her sworn protector and in the process, destroy his own kingdom…


Amanda has graciously offered a Giveaway!
ONE Digital ARC of Against the Dawn.
Giveaway runs: May 19, 2014 through May 27, 2014.
This giveaway is only for a digital copy.
Please fill out the Rafflecopter to enter:


About Amanda:
Amanda Bonilla lives in rural Idaho with her husband and two kids. She’s a part-time pet wrangler, a full-time sun worshipper, and only goes out into the cold when coerced. She loves the outdoors, black clothes, pink appliances and thinks junk food should be a recognized food group. In the summer, she can be found sitting by the lake, enjoying the view from her dock.


Purchase the series: (click the image)

Monday, May 12, 2014

Mythical Monday (49)


It seems there are many books based on or influenced by Myths and Mythological Beings.

There are so many different Mythology and Mythological Beings recorded. Some are very popular and well known, others not so much. There are many similar beings, yet different depending on the culture it’s based in.  The definition of Myth covers about anything in the Urban Fantasy/Fantasy realm to me.

I’ve invited authors to share briefly the Mythological being or Myth that influenced their character(s) or story, or what their character(s) are based on influencing their books.  Hosting here, one author and being or myth per week.


This week we have:
Urban Fantasy author 
Jim Stratton
Talking Japanese Samurai, Tengu, and Tanuki.


Hi all,

I’ve been doubly blessed of late. Danielle Ackley-McPhail recently accepted my Japanese samurai fantasy for the next Bad-Ass Faeries anthology, It’s Elemental, due out this May. (For those of you living under a rock, this is the fourth installment of the award-winning anthologies featuring faeries, pixies, and their ilk.) And now Melissa Hayden has invited me to enlighten you good folks on some of the marvelous creatures that populate this next installment of Bad-Ass Faeries in her Mythical Monday blog feature.

It’s Elemental follows along the path of its predecessors, highlighting the magical creatures that share this mundane world of ours, bringing with them magic and wonder. It’s Elemental goes a step further than the others by bringing you fifteen tales of the elemental creatures in five groups; earth, air fire, water, and spirit. More important, the mystically creatures featured in this installment are drawn from the rich tapestry of myths and folklore of many cultures.

My own humble tale is about a young samurai lady, daughter of the ruler of a realm, and how she defeats and befriends a tengu, and his pet, a tanuki. The story occurs during the age of the warlords in ancient Japan, when bloody war was a constant presence, and the plotting and strategizing of the daimyo lords make Machiavelli look like a Pollyanna. Into this steps a tengu courtier from the court of the king of the tengu with a challenge for the lord of the land’s warriors.

Both of these creatures have been part of the rich Japanese folklore for well over a thousand years. Tengu first appeared in popular tales in the 8th century and are described as either bird-like or dog-like. Over the centuries they evolved in the tales from pure elemental demons, ethereal and ghostlike, into tall, powerful beasts with blue or red skins and long noses. They are formidable warriors, skilled and near unkillable, who delight in teasing and challenging we mortals. They especially love to plague Buddhists monks whose faith isn’t as firm as it should be. In one tale, a tengu tricks a gullible fool to hike deep into the wilderness with false dreams of hidden riches, then carries the monk to the top of the highest tree in the forest and leaves him there as night is falling.

Tanuki are a lighter-hearted creature in the folktales, resembling furry badgers with a mischievous, jolly demeanors and a taste for harmless pranks. They are master shape-shifters, famous for hiding from us mundanes as ordinary household objects. One tale tells how a silly tanuki sneaks into a farmer’s home to steal the sweet rice cakes the farmer’s wife has prepared for farmer’s mid-day snack before she leaves for the day. When the farmer comes in from the fields, the tanuki hides by transforming himself into an iron tea pot. Unfortunately, the farmer wants tea with his rice cakes and puts the tanuki teapot on the fire. What followed is a proper farce reminiscent of the keystone cops. However, all ends well with the tanuki and the farmer becoming fast friends.

In my own tale, “Ties That Bind”, Ajiro No Akume, a retainer of the King of the Tengu, appears at the keep of the Daimyo Murikami Takeyoshi to challenge his samurai to a duel to the death. The Daimyo’s young daughter Kiku unexpectedly accepts the challenge and defeats the mighty beast with trickery when it’s clear the clan’s samurai would be slaughtered. As part of the wager, she wins a tenuki, the King of the Tengu’s personal pet that Ajiro is charged with keeping for his Lord. So Ajiro is bound to the little girl by honor, and by his fear of what his Lord will do to him if he learns his courtier was beaten by a tiny mortal child. And so their adventures begin.

Bad-Ass Faeries: It’s Elemental will be released at Balticon at the end of May. If you are there, drop by the Dark Quest Books launch party (Sunday, May 25, from 7pm to 9pm in the Con Suite), buy a copy and say hello to the authors and editors. If you can’t, visit http://www.darkquestbooks.com/store/product-info.php?pid174.html and order your copy today. Enjoy!


Author Bio:
Professionally, James R. Stratton is a government lawyer with twenty plus years experience litigating child abuse cases. Vocationally, he has been writing science fiction and fantasy tales for ten years with over twenty-five publications and counting. His recent appearance has been in three of the Big Pulp anthologies, Dead Souls published by Morigan Books and Rum& Runestones published by Dragon Moon Press. Most recently he is broke new ground personally as both a co-author and co-editor with the inestimable Robert E. Waters of the anthology Fantastic Futures 13 published by Padwolf Press in May 2013. Plan on meeting Danielle, the editor, and the other authors at the official launch at the Baltimore Science Fiction Convention this May.

Monday, April 28, 2014

Mythical Monday (47)


It seems there are many books based on or influenced by Myths and Mythological Beings.

There are so many different Mythology and Mythological Beings recorded. Some are very popular and well known, others not so much. There are many similar beings, yet different depending on the culture it’s based in.  The definition of Myth covers about anything in the Urban Fantasy/Fantasy realm to me.

I’ve invited authors to share briefly the Mythological being or Myth that influenced their character(s) or story, or what their character(s) are based on influencing their books.  Hosting here, one author and being or myth per week.


This week we have:
Fantasy author 
Tara Maya
Talking Pixies and Faeries in Neolithic Era.


Here’s a shameful secret: Back when I started my Unfinished Song fantasy, I wasn’t trying to be fresh, original or non-Western. In fact, I wanted to write a “classic” fantasy. I knew I wanted actual pixies and faeries in it. I wanted it to be both epic and a fairytale—an epic faerie tale. I knew I wanted the magic to be based on dancing and color, and that the ability to dance the whole rainbow would be almost extinct in their world. Other than that, I just planned to include all the tropes of the genre. The setting was cliché because I didn’t feel like investing the time in world-building for a mere “practice” story. My original heroine, Dindi, was a peasant girl; my original hero, Kavio, was a prince.

What knocked sense into me? I don’t know. A fairy whispered in my ear that I needed to change the setting. It needed to be set in a time I had never seen a fantasy set before: with Neolithic rather than medieval technology. The Neolithic Era was a particular time period in human history, but it also refers to a stage of civilization, and I use it in the later sense. Neolithic, or “new stone age” technology means that the people primarily use flint and obsidian tipped arrows and spears.

While I don’t know how this idea came to me, I do remember how it energized me. The whole story excited me again. The early time period worked for three reasons:

One, the main storyline was inspired by a Polynesian myth, so this was a tip of the hat to that non- European setting.

Two, it fit my fancy that the events of The Unfinished Song were the “original” and “primordial” events which are the secret roots of all our fairy tales.

Three, every culture around the world has gone through a stage of Neolithic level technology.

Every place on earth has immense, mysterious monuments made from dragging big stones around. This meant that I could easily mix and match my cultural inspiration. I could use Hopi agriculture, Celtic pig-farming and musical traditions, Zulu warfare, West African Initiation ceremonies, and so on. For the hero and heroine’s people, I drew strongly on Hopi and Zuni cultures.

As a history nerd (I do have my masters in the subject!), the excuse to research obscure and exotic Neolithic cultures ignited my enthusiasm for the story, and has kept me excited about the series ever since. The biggest problem with the standard fantasy pseudo-medieval-pseudo-European setting is not that it is medieval or that it is European or even that it has been done before. It is because the writer doesn’t take the time to study real history (or “real” mythology) as a model, but simply bases their own world on worlds in other fantasy books. The result has much the same problem as cloning a clone, or xeroxing a xerox. The quality fades the more derivative your product is. We shouldn’t shortchange ourselves by re-treading the same worn paths, but should be brave enough to follow history back along rarely explored by-ways for inspiration.



Tara’s Bio:
Tara Maya has lived in Africa, Europe and Asia. She's pounded sorghum with mortar and pestle in a little clay village where the jungle meets the desert, meditated in a Buddhist monastery in the Himalayas and sailed the Volga river to a secret city that was once the heart of the Soviet space program. This first-hand experience, as well as research into the strange and piquant histories of lost civilizations, inspires her writing. Her terrible housekeeping, however, is entirely the fault of pixies.

Find Tara:
Facebook: https://www.facebook.com/TheUnfinishedSongEpicFantasy
Twitter: www.twitter.com/taramayastales
Website: www.bestfantasynovel.com
Amazon: http://www.amazon.com/Tara-Maya/e/B004HAI038/

Purchase Tara's Unfinished Song series: (click the image)

Monday, March 24, 2014

Mythical Monday (42)


It seems there are many books based on or influenced by Myths and Mythological Beings.

There are so many different Mythology and Mythological Beings recorded. Some are very popular and well known, others not so much. There are many similar beings, yet different depending on the culture it’s based in.  The definition of Myth covers about anything in the Urban Fantasy/Fantasy realm to me.

I’ve invited authors to share briefly the Mythological being or Myth that influenced their character(s) or story, or what their character(s) are based on influencing their books.  Hosting here, one author and being or myth per week.


This week we have:
Fantasy author 
P.G. Holyfield
Talking Incarnation of the gods.



When Melissa asked me to write about mythology that has has influenced my writing, I had first thought to write about Hindu myths, and specifically about The Mahabharata, since it has influenced much of my setting’s cosmology, but I then saw that Joseph Robert Lewis had already written an article on that grand poem. So I decided to focus on The Trickster, as I have my own Trickster in The Land of Caern that goes by the name of Doppin. But then I read Alma Alexandra’s post on The Coyote, and I didn’t want to directly cover very similar material.

So I decided to come at this from a slightly different direction.

One of the great things about fantasy novels is that myths become real. But it’s more than that. It’s easy to look at urban fantasy with its werewolves and vampires and assorted casts of characters and enjoy it on the level of ‘look at those things not real in the real world.’ But that’s just looking at it through our modern lens. While the term “myth” today is usually seen in the pejorative, as a misconception, or even as a lie (“Who, Santa? Oh, he’s just a myth.” Side note: Don’t worry, I know he’s real), myth hasn’t always had that negative connotation.

Myth is the story of the sacred.

The reason I fell in love with mythology, and especially Hindu mythology, was that it was real. Not in the sense that everyone truly believed all the fantastical allegories, stories, legends, and narratives that make up the Hindu mythos (though I’m sure many have and do). What I’m talking about is how these narratives are ingrained in people’s lives.

When I first learned about mythology as a kid, mainly Greek and Roman, like most kids, I appreciated them as stories that explained the unexplainable. How did we come to be? How does lightning exist? Why are there seasons? But when I studied comparative religion in college, and learned more about Hindu mythology, a new world opened up to me. With Hindu tradition, oral and written stories from over thousands of years, it became obvious that these narratives were more of an explanation of why we are here, and how we as humans are a vital component of the spiritual nature of the universe.

And the most important aspect of this that I hope is carried over into my writing: that the spiritual aspects of life, including the very presence of the gods, exists in the reality of human history, down to the day to day events of both kings and men.

There are countless stories of Hindu gods living as men, both in the open and hidden from view. There are stories of gods that don’t even realize they are gods until something happens that shows them their true nature. There are stories of the fantastical, where gods take the forms of animals, giants, or dwarfs, and stories where the gods fight alongside humans against demons, and stories of the mundane where gods take the form of a homeless man sitting under a tree.

The idea of reincarnation and avatars (not the science fiction movie, but the appearance, or more importantly, the deliberate descent of a deity to Earth) became a foundation of my setting’s cosmology. Also, in Hinduism, as in many other systems, there is balance in our universe tied to three specific (or spread over many) entities: The Creator, the Protector, and the Destroyer. As with the idea of personal or deific reincarnation, there is the idea of the universe being cyclic in nature, and these three entities ensure that the universe is created, exists, and is destroyed (don’t worry… renewed would be the better term here). I included these ideas in my setting as well.

Where the Land of Caern diverges from these core ideas is around knowledge, or more specifically, knowing. In my universe, the Creator, known as Az, has a moment of… weakness?
The one god, Az, thought upon his existence and this thought created the universe.  
He breathed, and this breath created Caern.  
He spoke, and these words created all life on Caern.  
He looked over his creation, and this glance created the river of magic that flows throughout Caern.  
And He so loved Caern that he cried; from these tears his Children were born. 
These Children represent different aspects of Az: creation, protection, destruction, nature, magic, love, etc. During Caern’s early history, The Children could enter Caern on a whim, powerful immortal beings who could wield powerful magics and easily bend the will of both man and beast. Sometimes they would appear to influence history. Other times they would enter the world to settle a bet or an argument between one another, or to punish a king or a nation… or simply because one or more were bored and wanted to play with their Father’s favorite world…

Eventually, these appearances caused permanent and irreversible changes to the world. Progeny of the Children would inherit powers from their mother or father, which is how magic entered the world. The Children could take on the form of any being or beast, which is how monsters such as werewolves and vampires began to be seen. And battles between these Children began to tear holes in the fabric between Caern and other worlds, which is how demons and other creatures began to enter the world.

In order to prevent the destruction of Caern, Az placed constraints on his Children. From that point forward, if a Child of Az wanted to enter Caern, he or she had to be born as a mortal, with no knowledge of their true nature. An avatar of one of the Children could live a full life and die without ever realizing who he or she is. Or at some point, if warranted, an avatar would receive an epiphany and learn who they were, and receive some amount of their power… but they would remain very, very mortal.

Throughout history, different peoples and races have countless stories of incarnations of the Children. Religions and nations have risen and fallen around these incarnations (or the misguided belief in someone claiming to be one of the Children). There are religious sects dedicated to finding these avatars and either controlling them or destroying them before they discover their true nature.

Doppin, the Child of Trickery, is the only Child that has found a way around some of the Constraints. He (or she, depending on his/her mood) has knowledge of his true nature from the moment of birth. One of Doppin’s greatest joys is to attach himself to an incarnation of one of these “unknowing’ avatars, and when it is certain to cause the most chaos, trigger the epiphany of that Child of Az. And because of his appetites, his zest for life, and his desire to control his own destiny, Doppin is more human than any immortal, and as such is more of a cultural hero than any of the other Children.

In my first novel, I introduced the world and focused on some of the repercussions of these incarnations of the gods. In the sequel I’m working on now, I focus on the avatars of one or more of the Children, and how events and characters from a particular event in history are causing events to play out in the present. In 2009, several authors (at least one of whom has written articles here) wrote short stories about incarnations of the Children I released as an audio anthology called Tales of the Children.

And as I stated early on, what is most important to me and my writing is the idea that gods and men, the immortal and the mortal, the spiritual and the mundane, aren’t separated. Myths are the narrative of the sacred, and in my world, every story is a part of that narrative. It’s not a question of do you believe in god? It’s how many gods have touched my life?

And the old man sitting over there underneath the tree? Is it just a man, trying to make his way? Or is it Doppin… or another Child that may not have unlocked their true nature?

And you? If you lived in a world where there is a chance that you are the incarnation of a god… would it affect how you live your life?


Author Bio:
P.G. Holyfield grew up in the grand state of Virginia. While attending the University of Virginia, P.G. majored in Religious Studies, focusing on the belief systems and myths of the Eastern world. His love for mythology led to the creation of his fantasy setting called The Land of Caern.

A gamer for most of his life, P.G. has spent almost twenty years creating content for The Land of Caern. After finishing the first draft of Murder at Avedon Hill, P.G. produced the audio version of the novel as a podcast. Two years later, with over half a million audio episodes downloaded, Murder at Avedon Hill was brought to print by Dragon Moon Press.

Murder at Avedon Hill won the John W. Polidori Award for Best Vampire Novel of 2010.

Murder at Avedon Hill was a finalist for Best Fantasy Novel at the 2010 Foreword Book of the Year Awards.

P.G. continues to produce audio and video content, hosting three podcasts for his website, specficmedia.com: the award nominated "Beyond the Wall" GoT podcast, "SpecFicMedia.com Presents: Consumption," and a new show called "SpecFicMedia.com Presents: Tintin Forever."

Sadly, P.G. lost his way and now resides in the one state he never anticipated falling in love with... North Carolina.

You can find out more about The Land of Caern and P.G. Holyfield at http://pgholyfield.com

Author Links:
Site:  The World of PG Holyfield
Twitter:  @PGHolyfield

Read the first 6 Chapters of Murder at Avedon Hill (the first novel in Land of Caern) for free.

Books:
Amazon:


Barnes & Nobles

Or Listen for free:
Murder at Avedon Hill:  iTunes  /  Podiobooks
Tales of the Children:  iTunes  (in the Master feed of Murder at Avedon Hill)